Wednesday 7 December 2011

Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

!±8± Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras


Rate : | Price : $424.00 | Post Date : Dec 08, 2011 00:17:08
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Despite the large maximum aperture, the lens remains compact. Lens group 5 moves for rear focusing, and sharp, crisp pictures are obtained at all apertures. The background blur is ideal for portraits. The USM autofocuses the lens quickly and quietly.

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Wednesday 19 October 2011

Canon EF 50mm f/2.5 Compact Macro Lens

!±8±Canon EF 50mm f/2.5 Compact Macro Lens

Brand : Canon
Rate :
Price : $284.00
Post Date : Oct 19, 2011 15:51:52
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50mm macro lens for Canon cameras

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Tuesday 11 October 2011

Canon EF-S 60mm f/2.8 Macro USM Digital SLR Lens for EOS Digital SLR Cameras

!±8±Canon EF-S 60mm f/2.8 Macro USM Digital SLR Lens for EOS Digital SLR Cameras

Brand : Canon
Rate :
Price : $439.00
Post Date : Oct 11, 2011 22:57:05
Usually ships in 1-2 business days



A thoroughly modern design that's optimized for select Canon EOS digital SLRs. Its angle of view is equivalent to a 96mm lens on a 35mm camera, with a floating optical system that can focus down to full life-size (1:1) magnification. Inner focusing, driven by a silent and powerful ring-type USM, means the lens' overall length never changes during focus. This lens is a wonderful multi-purpose lens that's equally at home shooting macro shots, portraits or available-light photos. Like all Canon EF-S Lenses, its use is restricted to the EOS 20D, EOS Digital Rebel and EOS Digital Rebel XT cameras.

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Thursday 6 October 2011

The Magic Lens - Canon 50mm F1.8 Lens Review

!±8± The Magic Lens - Canon 50mm F1.8 Lens Review

First of all I would say this is one of the most underrated lenses throughout the market. In this article I will tell you why I made this opinion.

Many people feel easily with the results they get when they shoot their first digital SLR camera to start underwhelmed. You're making two mistakes, the people, if you compact SLR cameras. The first is that they are automatic or preset in the camera while shooting. Inmy eyes this is like buying a Ferarri and never get out of first gear. All the power of an SLR, you must learn to use some of the semi-manual or manual mode.

The second mistake is that people appreciate the importance of the lens of a camera. In the world of compact digital cameras marketing efforts seem to have the number of megapixels the camera's functions are based. A large number of pixels will give you only a general framework, not necessarily a strongerone. The objective of a camera is the most important and what really defined the image quality of the camera produces. A disadvantage is that the larger lenses many hundreds, if not cost thousands of dollars.

The Magic Lens

The Canon 50mm f1.8 you can buy without a doubt the best value for money lens. Commonly referred to as the "Nifty Fifty" to know costs less than $ 100 and produces images that are taken in the quality with which Canon L series or professional field. The reason is this lensso cheap is because the Canon has focused only on the optical glass in this lens. The rest is like the plastic body, strong auto focus, draft design, etc., are all built on the cheap.

My advice to all beginners in digital SLR photography would be to buy this lens. In fact, I recommend you buy it instead of the standard lens kit, if you buy a new camera.


The Magic Lens - Canon 50mm F1.8 Lens Review

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Monday 3 October 2011

The SVP Digital Camera Review

!±8± The SVP Digital Camera Review

By the age of digital imaging, almost no one (low water) to be involved divers with underwater photography. This review is a dress real camera for beginners. The Chinese, SVP Water Kit includes a digital camera system and waterproof case for less than $ 100. There are obvious limitations and we cover them in this report.

She does not expect professional results with the camera, but you'll be surprised with the versatility of this compact little to be fully satisfied. WithAll the features you would expect to find in the popular brand "point and shoot" cameras would be to fit this compact system easily in BCD pocket. The specifications are listed for our review comments. Because the factory provides the marketing brochures, we can not confirm or deny.

First of all, this camera before ... See instructions enclosed DVD that came with the camera. There are many functions and settings that you need to know this site before you on the waterUse the camera system. We have used many different brands and all settings seem to be some logical and some not-so-logical methods to do so. Like most "point and shoot" cameras, there is a delay between pressing the shutter button and the actual operation of the shutter. Once the operation of the camera and the features you are ready for the underwater part.

As every case, you need to keep your body clean and free of sand or gravel that might cause a loss. Since theMain seal is not really an O-ring, I was very careful to clean the surfaces with a cotton swab (qtip) and there are some O-ring grease on the surface as a thin film on the same estate. The seal is a kind of wedge shape, so it should provide a good pressure seal. The part is cleaner for all the little buttons you can change the camera settings underwater. We are in the best settings that we found when using the camera to get under the water.

If you say, theThe house is a good 15 meters or 33 meters, do not lie. Not that we were trying to flood the body or anything, but at 60 meters, the camera is not operational, because the pressure is to push the controls and the camera turns off. At 40 feet, you could get to work the camera, but do not change the settings. At 35 meters, the camera seems to work with all operating functions and settings well. For many divers, this is limiting, since most of the dives aredeeper than 35 meters. But keep in mind that in the end, red / yellow / orange spectrum is filtered over this depth.

The combination of camera and housing, well integrated and easy to use. With the clear plastic wrap, you can easily find the camera settings. Like most digital displays, certain angles are harder to see, but with the right angle and shading everything is visible on the screen by 2 inches. Although it is possible, the lens focal length from wideFor more corners, keep the wide-angle setting for diving in the whole process because of the water. Keep this in mind for all underwater photography, being close to the subject and use the widest angle possible, for best results.

To record still images, the camera was set to strobe, with each shot. This costs the batteries faster, but when the subject has more than 8 meters, it is better image and color. The best results were achieved our macro shots where we areCamera to 'close-up "and used the flash. When using the movie mode, you will be impressed with the sharpness of the images do not expect, however, that the high-quality audio. The case must be a large part of the sound as much of the underwater noise silencer to absorb. More than likely, you will be working with some background music in any case.

The color balance was a little 'off. We had the settings according to the instructions and the results that change the color balance a bit 'on the blue side for bestShots. This was not a problem for underwater shooting the greenish water has been removed. Most of the problems of color balance can be addressed in the editing phase.

The statement, 12.0 mega pixels is a bit 'tricky, because this is the "hardware interpolation," not the "resolution", which is 5.0 megapixels. All in all, we were not disappointed by the quality of the results of the best images. However, some of the shots were even with the built-in flash to shake.This means that the trigger to adjust the amount of light, so it is important to press the chamber and keep it as quiet as possible.

We have an 8 GB SD card, because we expected to take a lot of video and had plenty of space for two dives. We did not use the supplied USB cable, because we have a card reader to use our laptop and then again the memory of a portable hard drive. The power source operates on two AAA alkaline batteries, so there is a problem with the new batteries for eachdive. We did not use the "Voice Recorder" function, but from our experience of underwater video, would not be recommended in the underwater housing.

Now for the bottom line advice for this course: If you are going to take your underwater imaging seriously, save your money for a more complete system. This could be the perfect outfit for divers who want to share her experience diving with his friends and family. For less than $ 100 (prices range from $ 70-100), not including yourSD memory card or batteries, has a value. SVP cameras in some dive schools are marketed directly from importers and online interactive. The next "point and shoot 'clothing under water without an external flash will cost probably around $ 500. So, if you go on holiday and think with your own digital camera equipment for the flat water, which is the answer. Of course, for about $ 35 more than the dip, you can rent a camera with everything included. Sometimes theChoice is not easy, but there is much more to someone who has tested the SVP of white. This is a good camera and dress again for the video about the water and under water about 35 meters.

The manufacturer's data:

· Water-resistant: Do not worry, this camera to take to the water-water also flooded. The waterproof case protects your camera to a depth of 30 feet.

• very small and elegant camera design

° takes pictures, video and audio clips of hisbuilt-in microphone.

· Sensor resolution offers the possibility to take: 5 MP, 3.1 MP, 1.3 MP resolution and 300K.

First is, 12 and 8 MP pictures through hardware interpolation.

· Mode Movie: When an image is not enough, shoot 640 x 480 (VGA) video with sound at 30 frames per second.

· 2.0 "LCD screen: This compact color screen has plenty of space on which are the records.

· Zoom: The 8 x digital zoom enlarges pixels to fill the frame with theFavorite part of the picture.

· Flash Adjustable

· Self-timer: 2/10/10 +2 seconds

Ability to Tripod

° Libra white board

· Water-resistant to 50ft

· 16MP Built in memory, takes SD cards for memory expansion.

· Help Power: 2 AAA batteries

Options · Time Stamp: No / Date Only / Date and Time

· Comes with the software, connect via USB 1.1

· Video / TV out cable video out.

• Method of automatic extension of batteryLife by automatically switching the camera.

· Auto flash, auto flash with red eye reduction, Slow Sync, Fill-in Flash, Flash, Auto, Daylight, Cloudy, Fluorescent, Tungsten, Sunset, Custom etc. ..

8 · Interface Multilingual Menu languages ​​including English, Portuguese, French, German, Spanish, Italian, Traditional Chinese, Simplified Chinese.


The SVP Digital Camera Review

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Friday 30 September 2011

The choice of a 35 mm slide scanner

!±8± The choice of a 35 mm slide scanner

Many of you certainly want to have preserved the old memories and passionate film. At least if you have both digital and print copies of these unforgettable moments, you can always check every now and share with your children and grandchildren later than with them the story behind the images.

If you are satisfied with films and slides, it would be of great benefit to get your own dedicated scanner 35 mm slides. But that takes you to the next question is,"What brand should I buy?"

Different brands, types and models of scanners for slides on the market today. There are basically two types - dedicated multifunction flatbed scanner and slide scanner 35 mm. The flat-bed unit is home not only slides and films, but also photographs and documents. During a special scanner for slides and slide films planned.

Marchi is Polaroid, Epson, Nikon, HP, Kodak, Microtek, Minolta, Olympus and Leaf is. Several modelspriced from the mid-range of high-end as required. Will not help you factor in only one aspect of how the price or brand. Remember not to sacrifice quality over price, because it is a good way to reach the ideal product for you.

An important factor in choosing a 35 mm slide scanner is your goal. If you participate in a regular photographer, taking pictures of family celebrations and important occasions of your children, then he wantsMid-range model can be right for you. But if you're in the printing and publishing that you want to scan large amounts of film and slides, then the investment in a high-end scanners are the right choice.
Choose scanners that are capable of high-resolution images. A higher resolution means high quality pictures so you do not take for granted this.

Once you have decided on the make and model, you should check whether the software is included. This software has all thecontrols for the activities from capture to storage in order to get treatment. You must install on your computer before you can use the dedicated scanners.

Here are some descriptions of well-known brands in the slide scanner. Find out what suits you and a shop on the Internet before deciding what to buy and where.

Nikon Coolscan has received a number of models (2000, 4000, 5000), the positive reviews. Scan the Super Fresh is highly recommended becauseits high optical density.

Minolta Dimage Scan Dual gives its resolution, professional. It is sharp and accurate colors and shadows. There is also the Konica Minolta QuickScan, which is an independent film and slide scanner.

Hewlett Packard Scanjet has its own flat-bed scanner, an all in one scanner. It scans not only film and slides, but the documents.

Epson and Microtek scanners plan also produce in different styles, sizes and prices.

Remember that the most importantAdvantage of a scanner is its own small size, compact and lightweight. The flat bed type is larger and has more weight. So be sure to consider these things into consideration.


The choice of a 35 mm slide scanner

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Friday 23 September 2011

Canon EF 100mm f/2.8L Macro IS USM Macro Lens 3554B002 With

!±8± Canon EF 100mm f/2.8L Macro IS USM Macro Lens 3554B002 With

Brand : Canon | Rate : | Price : $0.00
Post Date : Sep 23, 2011 23:51:20 | Usually ships in 1-2 business days


This 'L' series lens is Canon's first mid-telephoto macro lens to include its sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivalled. Specifications Focal Length & Maximum Aperture: 100mm 1:2.8 Lens Construction:15 elements in 12 groups Diagonal Angle of View: 23.4 degrees Focus Adjustment: Inner focusing system with USM. Full-time manual focus available. Closest Focusing Distance: 0.99 ft./0.3m (maximum close-up magnification: 1x) Filter Size: 67mm Max. Diameter x Length, Weight: 3.1 x 4.8 in./77.7 x 123mm, 22.0 oz./625g

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Monday 19 September 2011

Factors to consider when buying a camera lens

!±8± Factors to consider when buying a camera lens

The purchase of a digital SLR or SLR camera kit comes with a basic goal that could give pictures a decent quality. But the advantage of digital SLR cameras is the ability to slow, depending on the type of shot you want to change. There is a zoom or macro lenses, for example.

Here are some factors to consider when buying a digital camera:
The glass
or focal length - is the real distance in-between the center lane and the back of the lens,measured in millimeters (mm). This is where the light is parallel rays enter the lens converge at one point. It determines the angle of the lens. If there is a shorter focal length, field of view is larger and offers more scenes for the camera to capture. If you increase the focal length, the actual field of view becomes narrower.

or iris - This is one of the mechanisms that the "amount of light" real transfer of control through the lens to the image sensor. Theis also called "f-stop", as identified f/2/8. The lower the number, the greater will be the opening. This means more light enters the camera. As you begin to collect more light, a kind of lens which you can open a larger aperture also allows you to have a faster shutter speed. This function is important in low light conditions to obtain sharp images, especially from a hand-held camera.

or Image Stabilization - A slower shutter speed can cause blurred images when the cameraHandheld. Works of image stabilization, vibration, to fire a few shots in the middle of handheld low-light conditions. Term for this is Canon's IS (Image Stabilization). Nikon use the term VR (Vibration Reduction).

Zoom lenses offered in a variety of DSLR kits include focal lengths from 18 to 35 mm. Depending on the increasing ability of the camera, can be up to 55mm. This means that only moderated by a "wide angle" view of a so-called "take it easyTele. "

If you are planning to extend the functions of digital camera, here are some things you should consider:
or Prime Lenses - These should be more than a sort of a zoom or focal length between 35mm to 85mm lonely. Prime lenses have a better glass on it.

If the "fixed-length lens" to obtain, there is a trend that you will be forced to move, if ever fired. Of course, for a period of time, this will already help you to better compositions.Prime lenses also have a broader sense, the maximum aperture, making it easier to get sharper images, especially in low light conditions.

Zoom Lenses or - for those who want to get the action shots, the best of the "tele" ranging from 100mm to 300mm would be. This is due to crop factor DSLR. There is not much need the zoom. A good example would be Nikon D40, which has a sort of 200mm telephoto lens that can be used in a 300mm round.


Factors to consider when buying a camera lens

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Saturday 17 September 2011

Autofocus vs. manual focus

!±8± Autofocus vs. manual focus

I asked this question many times by many people. What's better autofocus and manual focus?

And the answer is really simple and uncomplicated. The mode is the main focus is on a lot of external factors, especially in light conditions and the nature of the recordings. I will try to explain how these conditions affect the focus you choose.

Most DSLR is an exceptional six nine point auto focus feature and the results are quite good. But there is a driverHere. Autofocus works primarily seek to distinguish the differences. How about, for example, if the floor were dark back, then the focus to focus on any bright object in the foreground and back-ground. But what happens if there are any bright object in the ground limelight? The autofocus does not work in the situation. To work around this problem, many cameras use a system in which a small amount of light used to illuminate the terrain in the foreground when focus (you may have noticed himself, when shooting inlow light, the light in front of the camera usually illuminates the lens properly intermittent). This is not very effective and the auto focus may end up focusing on a point that is not your interest. In these circumstances it is better to perform a manual focus. I personally prefer manual focus in low light conditions.

Autofocus not good at extreme zoom. SO I prefer to use manual focus. Personally I prefer the manual anywhere, but autofocusworks well everywhere except the exceptions mentioned above. Therefore, the choice is yours, the focus is already mentioned with the drivers.

But there is a case in which I as mandatory auto focus. This is when you use continuous shooting mode. I use this mode for action photography such as sports photography. Continuous high-speed camera (some cameras can shoot at 16 frames per second) firing. So it's almost impossible to use the manual focus here. So I always use the setin these situations. But for all other conditions, which I personally prefer manual focus, because I think that gives me more control over the photos.

But the auto focus works well, except the above conditions, so that when you are with auto focus, deal with it, only the above mentioned guidelines in mind and keep your pictures will turn out well.


Autofocus vs. manual focus

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Wednesday 14 September 2011

Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

!±8± Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

Brand : Canon | Rate : | Price : $996.00
Post Date : Sep 14, 2011 21:30:32 | Usually ships in 1-2 business days

Canon EF 100mm f/2.8L IS USM Macro Lens 3554b002 Lenses & Filters

  • 100mm lens with f2.8 aperture
  • Canon's first mid-telephoto macro "L" series lens to include Canon's sophisticated Image Stabilization
  • Near-silent Ultrasonic focusing
  • Enjoy life-size close-up capabilities without an adapter
  • Compatible with 67mm filters

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Monday 12 September 2011

Which goal is better for Canon EOS cameras - Canon EF 85mm f/1.2L Could It Be

!±8± Which goal is better for Canon EOS cameras - Canon EF 85mm f/1.2L Could It Be

Canon DSLR market in a big way. Their commitment to quality products has many wonderful photography, including cameras and lenses produced. The Canon EF 85 mm f/1.2L can be one of the highest quality of their products are up to date. This rather bold statement is based on the receipt of this goal by the photographic community, including reviews and evaluations by professionals and amateur enthusiasts. They are virtually unanimous in their praise.

ThisNote is typical of feedback from users about the Canon EF 85 mm f/1.2 Lens for Canon EOS cameras. "... Since I'm the best 85, I have not looked back, the smoke only 85 1.2L zoom.. 'The" Zoom "was referring to the 70-200 f/2.8, which may be the most popular (at least in the first 2 or 3) Canon lens on the market.

The first time achieved this goal, especially if you were to compare the same with a similar focal length, your first impression, anyway, "Wow," which isentire unit. And 'huge and awesome at the same time. It can be said that quality is maintained in his hand.

Then, after you make your digital SLR, you know that your first impression was correct. In fact it is treated as a professional lens. The other lenses feel like toys in comparison.

So what is good for - what kind of pictures taken in the best 85mm f/1.2L Canon EF with?
Start with the most famous photographs taken by all the photographers -people. People in all settings. Family shots will turn out better than you could have imagined. Portraits will have the wow factor that you had always hoped for. Street photography or photojournalism will get better.

Weddings? A huge YES. Reports from wedding photographers have widely praised the Canon EF 85mm f/1.2L lens for two reasons. First, the sharp, high quality images are so much better than the ones from their other lenses. Second, the f/1.2 aperture allows shooting in low light Settings better than any other goal on the market.

What about videos? Absolutely! The sharpness of the images in the video that the public has been done professionally. Well, maybe you are a professional, but you know what I mean. The video with the 85 mm lens is powerful.

But it's good for the sport? Not so much. Do you want a longer, faster lens focus for stick sports. Although this lens has HSM, is not fast enough to capture imageswith the speed you need for sports.

This comment is really great: "I know it is crazy expensive. But go ahead and buy it, cry for 5 minutes, and don't tell your wife the price. She will love the pictures at the end!!!"

Is it the best choice for every type of shot? Of course not. There is no one lens that can cover the entire gamut of picture taking scenarios.

And price may be an issue for you. But this is one lens that you might consider trading in your teenage son for. It's so good.


Which goal is better for Canon EOS cameras - Canon EF 85mm f/1.2L Could It Be

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